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A R T I S T S
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More info about OnCe11:
>>>
once11 last album is out now on ny label the
agriculture (2lp's + cd)
one track of this work is featured on ooze.bâp meets
rojo cd compilation "sans souvenirs"
Ignacio Platas aka Once11 is known for distinctive emotional
collages that bring together eclectic sound sources, operatic
designs and digital intricacy. He always integrates an omnisensorial
sensibility that exploits more than one plane of sensorial
input. The audio aspect of his work is filled with references
to various electronic music styles such as drum 'n' bass,
house, dub, dance hall, and 1950s musique concrète,
his urban visual narratives incorporate a wide variety of
"popular" sounds to reflect the tensions and chaos
of today as malleable realities: as he explains: "FibonacciCopter_
was created replacing snd resources on an "aleatoric
algorithmic max composition" patch by otto henry: fibonacciBlues_
[with 3 helicopter recordings] and a live ~paf rendition of
an imaginary Military chopper_making it a good example of
recombinant genres: one music branch (illbient) with an aleatoric
algorithmic modification. The term illbient comes from a combination
of "ambient" and hip-hop culture's complimentary
"ill," a word used when unlikely pairs of things,
like clothing or colors, are put together and unexpectedly
produce successful results.
Selected Discography
Once11, Once11 versus the pyramid, New York:
theAgriculture,
2001.
Once11 vs. Un caddie renversé dans l'herbe,
minillbiental dadata perception, Barcelona: ooze.bâp,
2001.
We, Decentertainment. New York: Home Entertainment,
2000.
We, SquaredRootOfNegativeOne, San Francisco:
Asphodel Records, 1998.
Selected Online Works
<http://www.artspace.org.au/autonomousAudio>
2000.
<http://sonar.ya.com/english/sonarcarta.html>
2001.
<http://www.fiftyfifty.org/dadata>
2001.
<http://www.fiftyfifty.org/clickche>
2001.
Selected Online Reviews
<http://www.allaboutjazz.com/REVIEWS/r1201_069.htm>
2001.
<http://www.hybridmagazine.com/level/reviews/1101/once11.shtml
> 2001.
<http://theagriculture.com/distribution/once11reviews.html
> 2001.
<http://www.monotremata.com/bos/sos.html>
1996.
Selected Bibliography
Wines, Suzan, "Go with the flow, eight New York Artists
and Architects in the digital era" Domus, feb, 1998.
Martin, Jana. "Illbient." The Village Voice, July
23, 1996.
Smith, Roberta. "In Tomblike Vaults, the Future Flickers
and Hums." The New York
Times, August 9, 1996.
Strauss, Neil. "At the Clubs, Murmurs and Ambient Music."
The New York Times, March 8, 1996.
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